The phrase “in stitches” is an idiomatic expression that means to be in a state of uncontrollable laughter or extreme amusement. When someone is said to be “in stitches,” it implies that they are laughing so hard that it feels as if their sides are about to split. It is often used to describe a situation or a humorous performance that is incredibly entertaining.
Sample Sentences:
- The comedian’s jokes had the entire audience in stitches throughout the entire show.
- Every time she tells that story, I find myself in stitches.
- The comedy movie was so hilarious that we were all in stitches by the end of it.
- The clown’s antics had the children in stitches at the birthday party.
- The stand-up comedian delivered a performance that had the crowd in stitches.
- His witty remarks during the meeting had everyone in stitches despite the serious topic.
- The unexpected twist in the plot had the readers in stitches with laughter.
- The sitcom was so funny that viewers were often in stitches from beginning to end.
- The improv group’s quick wit left the audience in stitches at the comedy club.
- The comedian’s playful banter had the talk show host in stitches throughout the interview.
Synonyms and Indonesian Equivalents:
- Amused
- Tickled
- Entertained
- Delighted
- Amused
- Jovial
- Joyful
- Gleeful
- Merry
- Hilarious
Here are explanations for each of the words:
- Amused: It means to find something funny or entertaining, resulting in a feeling of enjoyment or mild amusement. When you are amused, you might smile, laugh, or feel entertained by something that you find amusing or humorous.
- Tickled: It means to feel a light, tingling sensation, often accompanied by laughter or a sense of amusement. This word is often used figuratively to describe a feeling of amusement or delight.
- Entertained: It means to be engaged or amused by something that provides enjoyment or amusement. When you are entertained, you are captivated or amused by a particular activity, performance, or event.
- Delighted: It means to experience great pleasure, satisfaction, or joy. When you are delighted, you feel extremely happy or pleased about something. It is a strong positive emotion.
- Jovial: It means to be cheerful, friendly, and full of good humor. When someone is jovial, they have a happy and friendly disposition, often making others feel comfortable and amused in their presence.
- Joyful: It means to experience great happiness, delight, or joy. When you are joyful, you feel an intense and exuberant sense of happiness and contentment.
- Gleeful: It means to be full of joy, excitement, or triumph, often expressed through laughter or a playful demeanor. When someone is gleeful, they show a sense of delight or satisfaction, often accompanied by a mischievous or playful attitude.
- Merry: It means to be cheerful, festive, and full of joy. When you are merry, you are in a state of happiness and high spirits, often associated with celebrations, festivities, or joyful occasions.
- Hilarious: It means extremely funny, causing great laughter or amusement. When something is hilarious, it is incredibly amusing or comical, often evoking uncontrollable laughter or amusement.
I hope these explanations help clarify the meanings of these words!
The Case of the Chuckling Corpse: A Murder Most Mirthful
Lord Reginald Featherbottom, renowned for his stiff upper lip and disdain for frivolity, was found dead in his study. The room was a tableau of impeccable order – all except for Lord Featherbottom himself, who sprawled across his armchair, a wide smile plastered on his face. The strangest part? A faint, rhythmic chuckle emanated from the supposedly deceased body.
Inspector Alistair Bartholomew, a man whose idea of a hilarious joke was a misplaced comma, arrived at the scene utterly bemused. The medical examiner confirmed death by poisoning, but the source was a mystery. The only clue: a single, half-eaten chocolate on the table, its wrapper displaying a cartoon jester doing a jig.
News of the chuckling corpse spread like wildfire, tickling the public’s funny bone and leaving the police force red-faced. The investigation became a national spectacle, with comedians cracking jokes about the “murder most mirthful” and the “giggling ghost of Featherbottom.”
Meanwhile, Inspector Bartholomew, determined to silence the laughter and solve the case, interrogated the usual suspects. Lady Featherbottom, the jovial widow, seemed genuinely delighted at her newfound freedom, but her alibis checked out. Mr. Fitzwilliam, the perpetually grumpy butler, confessed to disliking Lord Featherbottom, but the thought of murder made him recoil in horror.
The breakthrough came from an unlikely source – a street urchin notorious for peddling fake news. He claimed to have seen a mysterious figure leaving Featherbottom Manor the night of the murder, someone dressed in a flamboyant costume. Bartholomew, desperate for any lead, followed the tip.
He tracked down Barnaby “Chuckles” Chilton, a once-famous clown now reduced to performing at children’s birthday parties. Chilton, his face painted with a sad smile, confessed to the crime. Turns out, he held a grudge against Lord Featherbottom who had once banned him from performing at a charity event, deeming clowning “inappropriate.”
The motive? Revenge, served with a side of gleeful theatrics. Chilton had laced the chocolate with a harmless laughing gas, causing the delayed, amused reaction in the victim. He’d even rigged the armchair to emit the automated chuckle, hoping to create a scene of utter absurdity.
Bartholomew, despite his own aversion to humor, couldn’t help but be entertained by the sheer ridiculousness of the crime. Chilton, stripped of his clown persona, looked utterly merry at the prospect of jail time. The “chuckling corpse” case became a national sensation, a lesson in the unexpected twists of life and the thin line between laughter and madness. The public, ever amused, continued to chuckle about the case for years to come, a testament to the absurdity of crime and the enduring power of a good (or bad) joke.
The Case of the Chuckling Corpse: A Hilarious Murder Mystery
Lord Fitzwilliam Featherbottom, a man renowned for his jovial spirit and gleeful demeanor, was found dead in his opulent library. The scene was a morbid tableau: Lord Featherbottom sprawled across his favorite armchair, a single, unsettling chuckle seemingly frozen on his face. The cause of death? Poison, a rare and exotic concoction.
Enter Detective Felicity “Flick” Flanagan, a woman with a mind as sharp as her wit. Flick, known for her dry humor and amused observations, surveyed the scene. The library, a haven of first editions and priceless artifacts, seemed eerily silent, punctuated only by the rhythmic tick-tock of an antique grandfather clock.
Flick questioned the household staff, a colorful cast of characters. There was Mrs. Peabody, the perpetually amused housekeeper, whose giggles often masked a keen eye for detail. Mr. Fitzwilliam, the stoic and joyful butler, whose loyalty to the family was unquestionable. And then there were the eccentric relatives, each with their own motive and a penchant for the hilarious.
There was Aunt Gertrude, a woman whose pronouncements were guaranteed to induce tickles of laughter, even at the most inappropriate moments. Her merry demeanor masked a fierce sense of entitlement to the family fortune. Then there was Cousin Bartholomew, a man whose attempts at wit often resulted in hilarious blunders, but whose desperate financial situation made him a suspect nonetheless.
The investigation took a peculiar turn when Flick discovered a hidden compartment in Lord Featherbottom’s desk containing a series of joke books and prank manuals. It seemed the victim had a secret passion for the hilarious. But who would want to silence such a man?
The breakthrough came when Flick noticed a peculiar detail in the library – a misplaced book, its title “1001 Ways to Die… Laughing.” The poison, it turned out, was derived from a rare flower known to induce uncontrollable laughter, leading to asphyxiation. The victim, in a final cruel twist, had died laughing.
The climax came during a dramatic family gathering in the library. Flick, with a glint of amusement in her eye, laid out the evidence, each revelation punctuated by gasps and nervous laughter. The culprit, it turned out, was Mr. Fitzwilliam’s beloved cat, Mittens. The feline, apparently tired of its owner’s constant pranks, had knocked over a vial of the poison while batting at a book.
The revelation caused an eruption of merry chaos – some laughed in disbelief, others in relief. Even Flick, despite herself, couldn’t help but crack a smile. The case of the chuckling corpse remained a bizarre footnote in Flick’s career, a reminder that even death could be stranger than fiction, and sometimes, the most delighted killer was the one you least expected.
The Clown Who Cracked the Case: A Most Unlikely Hero
Inspector Alistair Grimstone, a man whose disposition could best be described as “grumpy walrus,” was on the case of a string of audacious robberies. The thief, dubbed “The Jester,” left no trace, only a single playing card and a room filled with uproarious laughter – the victims themselves, doubled over in uncontrollable mirth.
Grimstone, a man who hadn’t cracked a smile since the Queen’s corgi incident of ’87, was utterly baffled. His team, a collection of equally dour detectives, were no help. Days blurred into weeks, the pressure mounted, and Grimstone’s gruffness reached new heights.
Then, a lead. A witness, a particularly amused shop owner, reported seeing a figure in a baggy clown suit fleeing the scene, leaving behind a trail of glitter and a single red ace. This was ridiculous, utterly preposterous. But Grimstone, desperate, had nothing else to go on.
Following a hunch (and a sprinkle of desperation), Grimstone tracked down Barnaby “Bubbles” McFluffington, a washed-up children’s entertainer notorious for his hilarious pratfalls and terrible puns. Bubbles, a man whose constant state of jovial goofiness was as baffling to Grimstone as the robberies themselves, seemed genuinely delighted to be a suspect.
Intrigued, Grimstone interrogated Bubbles. To his surprise, Bubbles, with surprising clarity, explained how he’d stumbled upon the robbers’ hideout while practicing a new routine (involving a particularly gleeful pie throwing sequence). He’d witnessed the planning session, but fearing ridicule, hadn’t come forward. However, the sight of the terrified thieves tripping over their own feet during the robberies had tickled him to no end. He couldn’t resist leaving behind the playing card and a touch of “laugh dust” (a harmless, albeit potent, prank ingredient) as his calling card.
Grimstone, for the first time in years, felt a flicker of something… strange. It wasn’t quite a smile, but it wasn’t a frown either. It was… amusement. He realized the robbers’ downfall wasn’t due to some grand detective work, but because they underestimated the power of a good laugh.
With Bubbles’ help, Grimstone set a trap. The robbers, lured by another “easy target,” found themselves in a room rigged with pie launchers, exploding whoopie cushions, and gallons of silly string. The scene erupted in merry chaos, the robbers tripping over each other in a fit of giggles. Grimstone, watching from afar, couldn’t help but let out a small, surprised chuckle. It was a sound so unexpected, even his own team did a double-take.
The case was solved, the city safe from the giggling grasp of “The Jester.” And Inspector Grimstone, forever changed by the experience, found himself occasionally cracking a smile, ever so slightly, at the memory of the clown who cracked the case with laughter.
- Amused: Terhibur
- Tickled: Terhibur
- Entertained: Terhibur
- Delighted: Senang
- Amused: Lucu
- Jovial: Ceria
- Joyful: Gembira
- Gleeful: Bahagia
- Merry: Ceria
- Hilarious: Sangat Lucu
Antonyms and Indonesian Equivalents:
- Bored
- Unamused
- Serious
- Dull
- Gloomy
- Unfunny
- Somber
- Sad
- Depressed
- Downhearted
Here are explanations for each of the words:
- Bored: It means to feel uninterested, unengaged, or lacking in excitement or stimulation. When you are bored, you may feel restless, unfulfilled, or dissatisfied with your current situation or activities.
- Unamused: It means to not find something funny or entertaining, resulting in a lack of amusement or enjoyment. When you are unamused, you may not be interested or entertained by something that others find amusing or humorous.
- Serious: It means to have a solemn, earnest, or grave demeanor or attitude. When someone is serious, they are focused, thoughtful, and not inclined towards humor or lightheartedness.
- Dull: It means lacking interest, excitement, or stimulation. When something is dull, it is boring or uninteresting, often resulting in a lack of engagement or enjoyment.
- Gloomy: It means to have a dark, somber, or melancholic atmosphere or mood. When something is gloomy, it is characterized by a feeling of sadness, darkness, or lack of hope.
- Unfunny: It means not funny or lacking in humor. When something is unfunny, it fails to elicit laughter or amusement, often resulting in a sense of disappointment or indifference.
- Somber: It means to have a serious, grave, or subdued mood or tone. When something is somber, it is characterized by a feeling of seriousness, solemnity, or sadness.
- Sad: It means to feel unhappy, sorrowful, or downcast. When you are sad, you may experience feelings of grief, disappointment, or emotional pain.
- Depressed: It means to feel a persistent and intense feeling of sadness, hopelessness, or low mood. Depression is a mental health condition that can significantly impact a person’s overall well-being and functioning.
- Downhearted: It means to feel disheartened, discouraged, or low in spirits. When you are downhearted, you may feel a sense of sadness, disappointment, or loss of hope.
I hope these explanations help clarify the meanings of these words!
The Ministry of Mirth: A Cure for the World’s Woes
The world had become a place shrouded in perpetual gloom. People shuffled through life, weighed down by endless news of war, environmental disasters, and economic hardship. Laughter was a fading memory, replaced by a constant low hum of boredom and sadness.
Enter Amelia Finch, a brilliant but downhearted psychologist who couldn’t bear the world’s collective melancholia. Years of research led her to a revolutionary theory – laughter wasn’t just a frivolous activity, it was a biological necessity, key to boosting mental and physical well-being. A world devoid of laughter was a world on the brink of collapse.
Amelia’s solution was audacious: the Ministry of Mirth. This unorthodox government department, met with unamused skepticism by the public and outright hostility by the somber politicians, aimed to reintroduce laughter into everyday life. Amelia recruited a motley crew of comedians, clowns, and improv artists, their mission to combat societal woes with wit and whimsy.
The Ministry’s initial attempts were met with dull stares and forced chuckles. People, so accustomed to their gloomy routines, couldn’t understand the point of it all. But Amelia persevered. She organized “laughter flash mobs” in public squares, broadcast stand-up comedy routines on national television, and even incorporated “humor therapy” sessions into public healthcare programs.
Slowly, a shift began. A child, watching a mime artist juggle imaginary bowling pins, burst into a fit of giggles. A weary office worker, catching a glimpse of a comedian’s online skit, found himself snorting with laughter. These seemingly insignificant moments were the first cracks in the armor of collective depression.
The climax came during a national address by the Prime Minister, a man known for his serious demeanor. As he began his speech, a rogue Ministry prankster released a flock of rubber chickens across the stage. The Prime Minister, caught off guard, froze, then a reluctant smile crept across his face. The entire nation erupted in laughter, the sound a long-forgotten melody breaking the oppressive silence.
The Ministry of Mirth wasn’t a cure-all, but it was a start. Laughter had re-entered the national conversation, a vital reminder that even in the darkest of times, joy could still be found. Amelia Finch, the once unfunny psychologist, became a national hero, proving that the most powerful weapon against societal woes could be as simple as a smile. The world, though still recovering, began to regain its lost vibrancy, a testament to the transformative power of laughter.
The Symphony of Sadness: A Maestro of Misery
Arthur Dullsworth, the most bored man in the world, lived a life as dull as his name. Each day bled into the next, a monotonous symphony of mediocrity. He found even the most vibrant sunsets unamused, the funniest comedies unfunny, and the most exciting news somber. A fog of depression hung heavy around him, a constant companion.
One rainy afternoon, Arthur stumbled upon a dusty music shop tucked away on a forgotten street. Drawn by an inexplicable curiosity, he entered. The shop, dimly lit and filled with the scent of aged parchment, felt strangely comforting. An old woman, her eyes crinkled with a life well-lived, greeted him.
“Looking for something to stir the soul, are we?” she inquired, her voice a gentle melody. Arthur, surprised by her insight, mumbled about his gloomy existence. The woman smiled, a spark of amusement dancing in her eyes.
She led him to a dusty corner, unveiling a violin unlike any he’d seen. Carved from ebony wood, its strings shimmered with an otherworldly glow. “This,” she declared, “is the Symphony of Sadness.” Arthur, ever the skeptic, scoffed. How could sadness be a symphony?
The woman, undeterred, placed the violin in his hands. A wave of inexplicable emotion washed over Arthur. He felt the weight of every tear he’d never cried, the depth of every sorrow he’d suppressed. Tentatively, he drew the bow across the strings.
The sound that filled the shop wasn’t a mournful cry, but a complex tapestry of emotions. It captured not just the pain of loss, but the bittersweet beauty of remembrance, the quiet strength of resilience. Arthur, tears streaming down his face for the first time in years, finally felt alive.
He began to play every day, his music filling the once silent streets. People, drawn by the melancholic yet strangely hopeful melody, gathered to listen. Some wept, others found solace, and a few even cracked a rare smile. The music awakened forgotten feelings, a cathartic release from their own downhearted lives.
The town, once shrouded in a cloud of apathy, began to transform. Laughter mingled with the tears, a testament to the shared experience of human emotions. Arthur, the man who once found no joy in life, became known as the “Maestro of Misery,” a conductor of emotional healing through his music.
He learned that sadness, like any other emotion, wasn’t meant to be suppressed. It was a necessary note in the symphony of life, adding depth and meaning to the joyous moments. And sometimes, a shared sadness, expressed beautifully, could be the spark needed to ignite the flame of hope and connection.
The Museum of Forgotten Laughter: A Spark in the Gloom
Arthur Pendragon, curator of the Museum of Antiquities, was a man drowning in a sea of boredom. Surrounded by priceless relics of the past, he found their stories dull and their history uninspiring. The museum itself mirrored his mood, a dusty mausoleum of forgotten achievements.
One day, amidst the clutter of an uncataloged artifact shipment, Arthur stumbled upon a peculiar object – a small, intricately carved box. Curiosity, a rare visitor in his life, piqued. He pried it open, and a wave of pure, unadulterated sadness washed over him. Inside, nestled in velvet, lay a single, withered jester’s hat.
Arthur felt a strange compulsion. He donned the hat, its fabric strangely cool against his skin. A wave of emotions flooded him – a kaleidoscope of gloom and despair, interspersed with fleeting moments of unfunny humor and melancholic laughter. Images flickered in his mind – a bustling marketplace, a boisterous crowd, a lone jester, his face painted with a smile that failed to reach his eyes.
The vision vanished, leaving Arthur shaken. He started researching the jester’s hat, unearthing a forgotten story. The hat belonged to Bertram the Bard, a court jester whose humor once filled the castle with joy. But a terrible plague swept the land, plunging the kingdom into somber despair. Bertram, unable to bring laughter to mourning hearts, grew depressed and eventually faded away, his jokes forever silenced.
The revelation struck Arthur. The museum wasn’t just about preserving the past; it was about capturing its essence, its joys and sorrows alike. He decided to create a new exhibit – “The Forgotten Laughter of Bertram the Bard.” Using interactive displays and holographic reconstructions, he brought Bertram’s story to life.
The exhibit was a sensation. Visitors, for the first time, saw the human side of history. They laughed at Bertram’s outdated jokes, felt a pang of sadness at his despair, and most importantly, connected with the past on an emotional level.
Arthur, witnessing the laughter echoing through the museum halls, realized the true power of his work. He was no longer just a curator; he was a storyteller, a weaver of emotions that transcended time. The museum, once a tomb of artifacts, became a vibrant space where laughter and tears intertwined, reminding everyone that even in the darkest times, a spark of joy could ignite a fire in the soul.
Arthur, his own spirit lifted from the depths of boredom, finally understood the value of the past. It wasn’t just a collection of objects, but a testament to the enduring human spirit, its capacity for joy and sorrow, laughter and tears – all woven together into the rich tapestry of history. The Museum of Antiquities would never be a dull place again.
- Bored: Bosan
- Unamused: Tidak Terhibur
- Serious: Serius
- Dull: Membosankan
- Gloomy: Muram
- Unfunny: Tidak Lucu
- Somber: Suram
- Sad: Sedih
- Depressed: Depresi
- Downhearted: Lesu
Words Derived from It and Indonesian Equivalents:
- Stitched: Jahit
- Stitching: Menjahit
- Stitchery: Kerajinan Jahit
- Stitchwork: Pengerjaan Jahitan
- Stitcher: Penjahit
- Stitching: Jahitan
- Stitched: Terjait
- Unstitched: Belum Dijahit
- Stitchless: Tanpa Jahitan
- Stitchable: Dapat Dijahit
Related Words and Indonesian Equivalents:
- Laughter: Tertawa
- Amusement: Hiburan
- Humor: Humor
- Chuckle: Tertawa Pelan
- Guffaw: Tertawa Terbahak-bahak
- Grin: Senyum
- Smile: Senyum
- Joke: Lelucon
- Comedy: Komedi
- Wit: Kecerdasan
Phrasal Verbs and Indonesian Equivalents:
- Burst into laughter: Meledak tertawa
- Crack up: Tertawa terbahak-bahak
- Double over: Tertawa sambil membungkuk
- Fall about (laughing): Tertawa dengan riang
- Burst out laughing: Meledak tertawa
- Split one’s sides: Tertawa terbahak-bahak
- Roll in the aisles: Tertawa terbahak-bahak
- Laugh one’s head off: Tertawa terbahak-bahak
- In stitches: Tertawa terbahak-bahak
- Have someone in stitches: Membuat seseorang tertawa terbahak-bahak
Common Expressions and Indonesian Equivalents:
- Laughing fit: Tertawa tanpa henti
- Cracking up: Tertawa terbahak-bahak
- Bursting with laughter: Meledak tertawa
- Rofl (Rolling on the floor laughing): Berguling tertawa
- Can’t stop laughing: Tidak bisa berhenti tertawa
- Splitting my sides: Membelah sampingku tertawa
- Laughing out loud (LOL): Tertawa terbahak-bahak
- Rolling with laughter: Berguling tertawa
- Busting a gut: Memecahkan perut tertawa
- Shaking with laughter: Gemetar tertawa
Related Idioms and Indonesian Equivalents:
- It’s a real knee-slapper: Ini benar-benar lucu sekali
- Cry with laughter: Menangis tertawa
- Be a barrel of laughs: Menjadi sumber tawa
- Crack a joke: Membuat lelucon
- Have the last laugh: Tertawa yang terakhir
- All laughs aside: Semua tawa terpisah
- Laugh on the other side of one’s face: Tertawa dengan wajah yang berbeda
- The laugh is on someone: Tawa ada pada seseorang
- Laugh in someone’s face: Tertawa di depan wajah seseorang
- Laugh up one’s sleeve: Tertawa dalam hati
